‘Ghostbusters: Afterlife’ is a soulless ode to nepotism

With Juno, Up in the Air, and Young Adult, Jason Reitman made a name for himself as a fine craftsman of whip-smart comedy. Then, he hit a rough patch with a string of duds, scorched by critics (Labor Day, Men Women and Children) or ignored by audiences (Tully, The Front Runner). Perhaps smarting fro…

Source :
Disclaimer: Short summery, auto-generated by bot, is from article's description and not meant to replace reading the original article.
We do not promote or affiliated with external links in any way.
We have no control over the nature, content and availability of those sites.
All content on this site is meant to be used for information purposes only,
should not be taken as investment advice.
Trademarks and related content are owned by their respective companies.
Read the Terms of Services
Do NOT follow this link or you will be banned from the site!